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However it met an untimely end when it split in half after being dropped onstage in Paris. While it’s now retired the from live use, the quirky appearance and unique tone of the single pickup Teisco has since become a key part of DeMarco’s signature aesthetic and music in recent years, arguably inspiring a revival in vintage Japanese guitars in indie music.ĭeMarco’s primary guitar from 2014-16 was a vintage Fender Stratocaster with a Natural finish, which appears to have been made before Fender opted for a three-bolt neck and bullet truss rod design in 1972. As soon as I played this guitar, I was like ‘Wow, this thing is actually a piece of shit’, they were like, ‘Thirty bucks?’, and I was like, ‘sure.'”
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They brought me something perfectly crappy. “It’s a music store, but also half like a pawn shop. “I went to this place called Lillo’s,” he said in an interview with The Rumpus. Guitarsįor years, DeMarco’s main guitar was a thrashed Japanese Teisco electric from the 1960s, which he acquired for $30 when he was a teenager living in Canada. Today, we’re diving deep into the gear of the jizz-jazz king, shedding light onto the guitars, amps, pedals and synths used by one of Canada’s best in the business. Read all the latest features, columns and more here.Īlthough his music has evolved into a much more sonically refined version of the laid-back, lo-fi brand of slacker rock he first became famous for, DeMarco’s DIY ethos and knack for songwriting remains a key part of his solo output today, and there’s not denying his influence over the last decade of indie rock.
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Recording mostly all of his music by himself in his bedroom studio with an array of vintage Japanese guitars, synths and reel-to-reel recorders, DeMarco has created a signature brand of stripped back indie rock and inspiring a whole wave of lo-fi imitators in his wake. There really isn’t any other artist around today like Mac DeMarco.įor years, the chain smoking Canadian artist has charmed festivals and theatres worldwide with his distinctive gap-tooth smile, bizarre sense of humour, and seriously well written songs. All we did was follow the formula, w-w-h-w-w-w-h and we came up with the scale.Words by Will Brewster A closer look at the gear of the indie trailblazer. From B we move a HALF step higher and this takes us to C. Following our formula, let's move a half step higher. Starting on C, let's move a whole step higher. With this formula, we can start on any key on the piano and form a major scale. Now that we understand what a half step and whole step is, let's go back to our formula, w-w-h-w-w-w-h. If we are on D and we move to D sharp, this is a half step.
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So If we are on C and we move to C sharp, you guessed it. Just skip a key and we have a whole step.įor half steps, no key is skipped. What key did we skip? We skipped the key D sharp (also known as E flat). The distance between D and E is also a whole step. For example the distance between C and D is a whole step. On piano, a whole step always skips a key. Highly Recommended : Go here for the BEST piano/keyboard course I’ve seen on the Internet. The distance is either a half step or a whole step. What do whole steps and half steps mean? Whole steps and half steps describe the distance between two notes. It's actually quite simple to form this scale as long as you understand the concept of whole steps and half steps.